PEARL.DAWARLoading
PEARL.DAWAR
Branding & PackagingDec 2025
Three pink condiment bottles with white Pantone-style labels reading Pantone 485

Pantone Sauces.

A condiment range where flavour is colour

Sauce labels are a mess of tomato photos, flames and rustic fonts. This concept sells every sauce like a Pantone swatch: one solid colour and a plain white label, so you can spot your flavour from across the shelf.

  • Conceptual branding
  • Packaging
  • Systems thinking
[Project type]
Academic packaging project, independent concept
[Guide]
Dr Nanki Nath
[My role]
Design and concept
[Date]
December 2025

[The range]

[Shelf experience]

Together the bottles form a controlled gradient. Identification happens through colour first, then text.
The carton follows the same rules: one solid colour, a white specification label, and the heat level in its own badge.
The carton dieline, flat.

[The problem]

Why bother? Because the sauce aisle is a mess:

  • Tomato photos, flames, garlic illustrations and herbs everywhere.
  • Loud gradients, rustic fonts and inconsistent iconography.
  • Every brand invents its own flavour language.
  • Consumers recognise brands, not flavours. In store, telling variants apart means reading the label instead of seeing the product.

[Research]

I compared how Pantone presents colour with how sauce brands usually present flavour.

  • Pantone

    Colour is treated as data

    No illustration, ornament or metaphor. Authority comes from solid colour fields, numeric codes, minimal white panels, neutral typography and a clear hierarchy.

  • The sauce category

    Brand first, flavour second

    Ingredient illustrations, sensory words like “hot” and “fresh”, decorative fonts, and busy gradients and textures.

[References]

Reference images, not my work.

[The system]

  1. 01The bottle body is a solid Pantone colour.
  2. 02The label is a specification field with a strict hierarchy: Pantone code first, flavour name second.
  3. 03Variant or intensity comes third, and volume sits last as micro-type.
  4. 04No ingredient photography, no illustrations and no decorative shapes.

[Ideation]

Sketches with verdicts. A colour wrap lost clarity on the flavour, a black code box shifted focus too far, and a white panel with Pantone type and a solid bottle colour won.

[Type and layout]

Pantone’s typographic hierarchy is kept intact, and everything is left-aligned.

  • 1

    Pantone code

    Helvetica Neue Bold, all caps, the first line on the white label.

  • 2

    Flavour name

    Helvetica Neue Medium, title case.

  • 3

    Variant / intensity

    Helvetica Neue Regular, sentence case.

  • 4

    Volume

    Helvetica Neue Regular or Light at micro-type scale.

[Why it works]

No food photos, no flames, no decoration to decode. You learn the colours once, and after that you can spot your sauce from across the aisle, the same way designers spot a Pantone chip.

A student concept. Pantone is a trademark of its owner and isn’t connected to this project.

[The 30-second version]

Pearl Dawar

Interaction designer. MSc Interactive Media Technology at KTH, Stockholm.

Open to internships and freelance projects.

1st place, India HCI 2024 (IDC, IIT Bombay) for Food Setu.